top of page
MusicTheoryForGuitar
Subtract Notes and TRANSFORM Your Rhythm
Subtract Notes and TRANSFORM Your Rhythm
00:50
12-Bar BLUES: The Tonic DOMINATES Your Progression
00:26
Mastering Time Signatures Made Easy
08:20
Stop Ignoring Fretboard Notes — You're CRIPPLING Your Own Progress
00:18
The HAUNTING Chromatic Descent Hidden Inside C Minor Progressions
00:30
UNLOCK INFINITE RHYTHMS With This One Counterintuitive Step
01:27
Put the WRONG Note in the Bass and Watch Your Inversions Sing
00:50
DISSONANCE IS DRAMA: Why You NEED Tension in Music
00:34
Seventh Chords Are SIMPLE Once You See Which of the Four Notes Actually Move
00:52
Your PINKY Isn't Broken — You're Holding Your Guitar WRONG
06:51
The Neapolitan Eliminates Every WEAK Link in Your A Minor Progression
00:31
That DISSONANT Note Sounds Gorgeous Once You Hear What Comes Before It
00:41
![Why Chords Sound Bad With Distortion (And What To Play Instead) [With Mark Turko]](https://i.ytimg.com/vi/FLdQVncNh8A/maxresdefault.jpg)
Why Chords Sound Bad With Distortion (And What To Play Instead) [With Mark Turko]
01:03:41
DEAD Progressions Come Alive With This One Modulation Move
00:25
The CLEVER Loophole That Lets You Break the Parallel Fifth Rule
00:56
One Octave Shift COMPLETELY Transforms the Emotional Feel of Any Progression
00:49
One Minor Swap Makes Your Major Progression Sound INSTANTLY More Sophisticated
00:14
How To Write MELODIES When You Have Zero Inspiration
08:58
One ANCIENT Chord Smuggles Classical Elegance Into Any Modern Progression
00:37
Why That STRANGE Chord Name Actually Doesn't Matter
00:43
REVOLUTIONIZE YOUR PLAYING: The 1-4-5 Harmonization Hack
00:27
The 6-5 Doesn't Care About Major or Minor — Only BRUTAL Tension
00:27
Change ONLY the Top Notes and Your Song Sounds COMPLETELY Different
00:22
Staggering Note Attacks Makes UGLY Intervals Sound Intentional
00:37
![The SIMPLEST Way To Start IMPROVISING On Guitar — Works Every Time [Lead Guitar]](https://i.ytimg.com/vi/70Hf28Amb10/maxresdefault.jpg)
The SIMPLEST Way To Start IMPROVISING On Guitar — Works Every Time [Lead Guitar]
14:49
TRANSFORM Arpeggio Lines With Superimposition
00:38
Why F to B Diminished Is BRILLIANT When You Frame It With the Right Chords
00:51
Calling Dorian a Mode Is a MISTAKE — Here's the Complete Picture
00:48
A-Sharp Diminished Makes Jazz Voice Leading Feel EFFORTLESS
00:28
One BRILLIANT Tetrachord Principle Unlocks Both Dorian and Phrygian
00:14
SEAMLESS Key Jump: C Major to Gb (The DIMINISHED Hack)
00:38
![STOP Counting To Seven — THIS Is How Pros Play ODD TIME Signatures [Rhythm Guitar]](https://i.ytimg.com/vi/FYzDgdHxEhI/maxresdefault.jpg)
STOP Counting To Seven — THIS Is How Pros Play ODD TIME Signatures [Rhythm Guitar]
05:53
The ODD NUMBER Secret Guitarists Need to Know NOW
00:31
You're Using the WRONG Fourth Chord — Replace It With Minor 7 Flat 5
00:20
Raise One Note and Your Transition From C to D Minor Sounds EFFORTLESS
00:45
Write Your Melody FIRST — Then Find Chords That Actually Fit
00:24
![The Guitar Questions NOBODY Asks - And Why Half Your Practice Is Wasted [With Tom Hess]](https://i.ytimg.com/vi/w54Ywrwh2Tw/maxresdefault.jpg)
The Guitar Questions NOBODY Asks - And Why Half Your Practice Is Wasted [With Tom Hess]
01:02:30
Play Diminished Sevenths as Arpeggios for INSANE Neoclassical Runs
00:31
These Chord Voicings Sound WRONG — Until You Hear Them in Context
00:35
![How To HARMONIZE Out-Of-Key Notes In Your Melodies — The ONE Rule You Need [Songwriting]](https://i.ytimg.com/vi/tFBr8bmVKZQ/maxresdefault.jpg)
How To HARMONIZE Out-Of-Key Notes In Your Melodies — The ONE Rule You Need [Songwriting]
19:54
bottom of page